The Earliest Painting of a Biblical Scene

The earliest known painting of a biblical scene comes from a house in Pompeii, the Roman vacation town destroyed in a volcanic eruption in A.D. 79. Just as wisdom is one of the emphases of this blog, this first known biblical painting also focuses on wisdom, depicting one of the most well-known scenes where its power is put on display. The painting (which you can see here) is unmistakable to anyone who knows their Old Testament. It shows King Solomon discovering the identity of the true mother by shrewdly calling for the baby in dispute to be cut in two, which is recounted in 1st Kings 3:16-28.

In an unexpected addition, it seems the artist also painted Socrates and Aristotle into the bottom left-hand corner of the painting. These two foundational Greek philosophers are observing the scene from the margins, looking on in admiration or astonishment as the elevated Solomon dispenses his wise judgment.

What this curious painting seems to tell us is that the Bible and its teaching were present even in this holiday town beloved by the Empire’s rich and influential citizens. The fact that it was painted on the wall of a home like this likely means that there were well-to-do Jews, proselytes, or God-fearers who lived in Pompeii, perhaps even early Christians. I think it likely that whoever commissioned this painting was from a Greek or Roman gentile background, hence the inclusion of Socrates and Aristotle. Viewed in this light, the painting is a kind of apologetic, arguing that the apex of Greco-Roman philosophy points, from the margins as it were, to the superior wisdom found in the revealed Word of the God. This would echo the kind of approach that Paul takes when preaching in Athens at the Areopagus – “As some of your own poets have said” (Acts 17:28).

If a gentile was the one who had this scene painted so prominently in his home, it could be a way of him arguing that his believing in the God of the Jews was not, in fact, a betrayal of the Western pursuit of wisdom, but rather, its unexpected and true fulfilment.

You can read more about this fascinating painting here at Biblical Archaelogy Society.


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Photo from Wikimedia Commons

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